Category: Research

A Writer Writes. Except When She Doesn’t.

I’ll admit it. I commit the cardinal sin of writerdom.

I don’t write every day.

I know, I know, I know. Get into the habit, blah blah blah. Writing requires dedication, blah blah blah. You’re not a writer unless you’re writing, blah blah blah.

Good for those people.

I prefer the words of one Burton Rascoe:

“A writer is working when he’s staring out of the window.”

Or perhaps this quote from Donald M. Murray:

“Even the most productive writers are expert dawdlers…”

Here’s the thing. I don’t think sitting with my fingers on the keyboard is the only way to write. I am writing all the time. What I call ‘future-writing.’

I think it’s fair to say that about 75% of my writing happens in my head. It’s collecting experiences, bits of emotion or imagery and filing them away to use later. Jotting a few words in a notebook that will form the basis of a novel. Remembering the rawness of receiving bad news, the delayed shock and feeling of betrayal that follow. Taking an extra few seconds to really look at a piece of graffiti in a foreign city, or the way tree roots crack through the mortar of an ancient stone wall. These things are all writing, to me. They inform the words that are yet to come. I think they’re just as important, because they make the words feel real.

That’s not to say that the actual word-writing part isn’t important too. I go in fits and spurts between the two – sometimes I’m only at the laptop, sometimes I’m taking in the world around me. These past six months have taken me all over the world – to Iceland and Vancouver and California and Hong Kong and Japan, and I’ll see Belize and Wales and Scotland and Amsterdam before the year is through – and the things I’ve taken away from those places, whether they’re specific to a location or just an encounter with someone who I wouldn’t have met had I stayed home, make the words that I have written brighter. Last year I visited a coastal town that’s going to be the inspiration for my next novel. Could it feel half as real if I’d never been?

Now that I have a bit of a lull before I hit the road again (two whole weeks!) I’m eager to reconnect with my laptop, for although I’ve lugged it around the globe, I produced nary a sentence. Who would want to travel such distances to keep their nose buried in front of a screen?

You can’t write unless you’ve lived. Right now, I’m doing a whole lot of living, word count goals be damned.

Sequel Sorrows

I got myself all set up to start writing the next book in my series today, and already I find myself stymied. How much explanation do I have to give of the previous book’s events at the beginning of this one? Do I assume that readers have read the first installation and skip all the details, or do I have to give a blow-by-blow recounting of everything in The Unravelling? I mean, people don’t just jump straight to the second book in a series, do they? And writing in the first person complicates it further, for me anyway. I don’t want it to feel like Callie’s saying, “now sit down, little reader, and let me tell you about everything that just happened. We’ll get to the exciting new parts in a bit.”

I suppose the best thing to do is to go back and have a look at the first chapters of books beyond the first in some of my favourite series, and see how they handle it. I have a bit of reading to do. And I was all psyched up to start writing today too!

A Question:

And I’m hoping as many people as possible will comment with their thoughts. Consider this a bit of research.

When you think back upon your childhood, how do you see it in your mind? Do you remember things as though you’re seeing them again through your own eyes, or more as an omniscient third person in the room watching yourself? I’m writing a sort-of-flashback, sort-of-mindreading scene, and I don’t know how to handle the way it unfolds. My own memories are a mix of both the above scenarios, leaning more toward the latter.

Help a girl out?

You Would Think…

…that a person who worked as a researcher for years would look something up for accuracy ahead of time before making it an important plot point. Right? That would be the sensible thing to do.

Yeah, not so much, if you’re me. And it was one of those stupid little takes-five-seconds-to-verify things. Two words to type into Google Translate. I’ve been meaning to do it for months. Turns out my knowledge of foreign languages isn’t quite as good as I thought it was and I made a mistake that puts me in a bit of a quandry. Shitfuckdamn. Time to dig myself out of another hole.

Crisis Averted

Let this be a lesson to everyone who uses more than one device. Last week my iPad suffered an unfortunate meeting with a glass of juice and has been a little out of sorts ever since – completely unusable, actually (Lesson within the lesson – don’t leave glasses of juice around your iPad when you have a two-year-old). I realized today that all my research bookmarks for my book were on the iPad, and not only was it not working, it had also been reset and wiped clean of all its apps and data at the Apple store when I took it in to see if it could be saved. Dozens of links to much-needed information gone, I thought, and I’d neglected to check the box to keep bookmarks synced in iTunes when I’d backed it up beforehand. Honestly, the thought that I should back them up too had never occurred to me.

Thankfully, after an hour of frantic forum and help topic reading, as well as many curse words both typed and uttered aloud, I recovered all the bookmarks directly from the iPad and now have them safely synced in Firefox.

Giant sigh of relief.

The lesson: it’s not enough to back up the document you write in. Save EVERYTHING you need to do your work, and save yourself some heartache.