Tag: editing

The Book Was Written Passively By Me

I’m elbows deep in editing my current WIP right now, and to my dismay and bafflement, I’m seeing a lot of passive language. I don’t know how I fell into the habit, because it’s not my usual style of writing, but it’s all over the place and it’s been tortuously slow editing it all out and changing it to a more active structure. I have to look at every sentence I wrote and find the subject, verb and noun and make sure they’re in the right order. It’s easy enough with short, simple sentences, but complex ones sometimes make my head ache trying to sort it out. This is going to be a long slog, and I’m sure it’ll take a couple more rounds of revisions than usual to make sure I catch it all.

I did write the first draft much quicker than I did my first one – less thought into sentence structure in an effort to just get it all down on paper may account for it. I wonder if subconsciously it’s not a reflection of what my main character is feeling in this story as well – not in control for a lot of the time, having things done to her instead of doing things herself. With that in mind I’m preserving some of it, rules be damned. It’s told in first person, so sometimes a passive structure feels more appropriate. Just not as extensive as what I apparently wrote.

A couple links I found useful when it comes to passive voice:

Seven Examples of Passive Voice (and how to fix them)

Passive Voice: Linking Verbs and Wordiness

Fiction Writing and Other Oddities: Passive Voice

I found the last one especially useful because I’m writing in first-person, past-tense, which means I do use ‘was’ and ‘had’ in the course of my writing. Differentiating between past-tense and passive writing can be difficult when many resources advise to just look for those two key words (plus a couple more) and delete them. I’m definitely guilty of a lot of ‘was +ing verb’ writing this time around though, which isn’t passive, but is wordy and a lot of times can be changed.

The good news is, I’m getting aggressive with my passive writing.

Because It’s A Day Ending in Y, I Must Be Changing My Mind

So, a few weeks ago, when I was talking about how there were some things that I was thinking about editing, but decided not to because I liked those scenes?

Yeah, they’re all gone.

It was all stuff that I loved, it’s true. But I loved it for me, not for the story, and it didn’t offer anything relevant to the plot. THIS is the hard choice that I wasn’t ready to make before. THIS is why I got five form rejections in five days. It hurts my heart a little bit to see all that stuff go. But you know what? It’s all right. I don’t regret having written it in the first place, and I’m glad I have my previous drafts saved so I can hang on to those deleted scenes. Even my first draft, which I look back on now and just kind of shake my head. I’ve come a long way in the past six months and I absolutely love this learning process, even if it has left a bitter taste in my mouth from time to time.

I do feel bad that I started querying too soon, and closed some doors on myself before I was truly ready. But there are still lots of places I’d like to send it, once I’m finished this revision and get a bit of feedback on it. Next month should see me querying anew, with a stronger manuscript, one that maybe actually has a chance.

Bitch-Slapping My Inner Editor

I’m editing right now. Fourth draft. The plan – beforehand at least – was to make some tough cuts, chop out a couple characters and some extra scenes, trim it down a bit.

Well I can’t. I don’t want to. It just doesn’t feel right.

Would it bring the reader to a climactic scene a bit sooner? Yes. Around 3,000-ish words sooner. Would it reduce the overall word count? Yes, by about 5-7,000 words, I think.

Would the reader know my protagonist as well, understand what makes her tick a bit better? Definitely not. Would it hinder the story arc over three books? Yes, a little.

I’ve been worried – obsessed, if you want the truth – about the fact that this one pivotal scene happens around a quarter of the way through the book. I’ve gotten it into my head that that’s too long. But the thing is, something like a dozen people have read it so far, and not a single person has shared that sentiment. I think I’ve been so focused on advice that says you have to lay out ALL THE ACTION!!! on the first page, but there’s more than one way to write a book. Do my first few pages lay the foundation for some action? Yes they do. This go-around I’ve been working on ramping up the spookiness so there’s a better sense of impending peril, which admittedly wasn’t as effective as it could be in previous drafts. If I’m doing it right, there should be lots for the reader to worry and wonder about. And those pages leading up to that one big scene certainly aren’t devoid of action. There’s lots going on.

I’m coming to the realization that cutting the chracters and scenes I was contemplating really does a disservice to the story. The reader needs to know who Callie was before in order to appreciate the way she changes throughout the series. By cutting all those parts, she’s less vibrant, less passionate, less anchored to her old life.

Are there still some thoughtful changes to be made? Absolutely. But this is going to be my final draft. I can’t keep going back and forth on this issue, wondering if I should or shouldn’t. It’s time to finish it and move on.

Wish me luck!

Balance

I feel like I’m being pulled in all different directions at once. I want to keep writing my work in progress! I want to go back and edit my completed novel! I want to work on the outline for my next novel! I want to eat all the pie!

Well the last one I can do while I’m working on any of the above. Pie goes with everything.

But seriously, I don’t know how to manage my time when I have so many different things I want to be doing. I’m the sort of person who eats all of one thing on my plate before moving on to the next, which I also consume in full, before starting in on the third, and it’s a bit the same with writing. Right now doing anything that isn’t adding to my work in progress feels like sliding backwards, but I also need to get moving on finishing up some edits on my first book so I can start querying. For some reason it doesn’t feel like a good idea to have two books of the series completed before I start sending it out. I’m just so in love with writing right now, and while editing never feels like work to me, it is harder.

So. Decision time. I think I know what I have to do – take a short break from writing to focus on editing. I can keep putting it off, waiting for time to be “just right” according to various imagined criteria that will never be met, but only one should really matter – whether I’m ready to do the work.

Am I Crazy?

I just decided to re-write the first four chapters of The Unravelling AGAIN. For those of you keeping track, this will be the fourth time.

My biggest issue with the way the first third of the book unfolds is that it takes too long to get to the pivotal event, the scene which sets the whole rest of the series in motion. Right now it happens at the end of chapter SIX, a whole quarter of the way into a 100,000-word book. Yes there are events leading up to it that are important for the story as a whole, and there’s definitely some suspense building up to that point, but the more I think about it, the more I feel like a lot of it could go without any loss to the story arc.

My first three revisions I chopped about 8,000 words from those six chapters, and I’m going to aim for at least 5,000 more. It will mean sacrificing two characters that I really like a lot, which makes me a bit sad. They will cease to exist entirely, other than the briefest of mentions. Which leads me to the question, how many characters is too few?

I could also just be second-guessing myself, wondering if I’m really ready to move forward. So far the only person who’s read it and thought it was slow to get to that life-changing event is… me. But then none of my friends or family are editors, more’s the pity.

I’m going to play around with it a bit and see if I like the new revision idea. It can’t hurt, right? Even now I’m thinking of compromises that will allow me to keep my two secondary characters but still shorten that first act. Bring out the pruning shears.

Slash and Burn?

More like bunker bomb. I’m annihilating my book, one chapter at a time.

And it feels FANTASTIC.

I took chapter 1, chopped it all up, threw a bunch of the pieces (1,600 of them!) away and rewrote pretty much all of it, including a much stronger intro that I think really grabs the reader’s attention. And in fixing chapter 1, I stopped hating chapter 2 so much. One was where all the problems were.

Furthermore, I’m no longer worried about my word count issues. I’ve found 2,000 words to edit out in the first two chapters alone, and have lots of notes for cuts in later parts, both major and minor.

I think I’ve nailed down my system for editing, which I’ll share with you. I’m sure it’s by no means original, so I take no credit for it.

  • Edit 1: For story. Plot holes, cutting the big and small bits that don’t fit, fixing loose ends, continuity.
  • Edit 2: For mood and tone. Adding what’s needed to better achieve the feelings I want to set for readers.
  • Edit 3: Dialogue. Making sure it flows and sounds conversational, getting rid of any stray adverbs, improving pacing.
  • Edit 4: Scenes vs. narrative. Ensure a good balance between the two.
  • Edit 5: Paper edit. Just me and my red pen.
  • Edit 6: The one where I hand it over to people I trust to be even more brutal than me.
  • Edit 7: Taking all that marvelous feedback and implementing it.

And after all that I’ll probably still hand it over to a professional.

I have spreadsheets and summaries and documents galore. I’m so organized I’m ultra-organized. What can I say? I’m an editor at heart, always have been.

Oh, Shit

I spent my evening hunting around for tips on first-draft editing, and found some stuff – mostly blog posts – that I think will be really helpful. Whereas I’ve been approaching revision with a sense of dread, now I was getting excited about it. So, yay about that.

Then a search engine result caught my eye and I clicked it. It was about standard word counts for various genres of novels. Whether you call what I’m doing urban fantasy or paranormal romance, the standard for both is apparently 90,000-100,000 words. Deviating from the standard can equal automatic rejection for unpublished authors (and I’m assuming I’m considered unpublished because I’ve never published fiction, only journalism).

I’m sitting at 88,000 and am nowhere close to the end.

So now I’m not all that excited about revising anymore. Because chances are good I’m going to be looking to cut around 20,000+ words.

I’m fucked.

My, What A Busy Week

I took my kids to camp for five days, and what with their being in activities for a good half the day, I had a lot of spare time on my hands. Time that could be used to write, only I used most of it to read the book I posted about previously, make notes and analyze what I’ve already written based on what it suggests. It was pretty great – I identified a few issues and developed some more insight into the structure of my story. At some point I’d like to work on some detailed character outlines too.

The hardest part by far was summarizing my story into one short paragraph, but I’ve found that since I’ve done that, I’m a lot more comfortable with the “so what’s your book about?” question, which I’ve always dreaded and fumbled around.

Then once we got home, it was off to a quick 24-hour writer’s retreat by holing up in a hotel with two fellow writers. I love doing this. I want to find away to make it happen every month. I got so much done, had other people to bounce a few ideas off of and came out of it with almost a full chapter done, along with a metric assload of research.

The need to be accurate even in books that touch on fantastical subjects was something we talked about a lot. Even though my book has a strong fantasy element to it, I like the details to be logical and realistic whenever possible, so I don’t like to just make something up if there’s proven science out there instead. It sure makes for slow going at some parts – I think I know more about tsunamis and evacuation plans and the webcams of a particular city than anyone else I know, but I feel so much more confident in my writing than if I’d just fabricated something and pounded out the scene in fifteen minutes.

And then we watched The Day After Tomorrow. So satisfying to be writing an apocalyptic book while watching an apocalyptic movie.

And once again my iPod never fails to guide me when I need it – I triggered on a couple of major character/relationship dynamics while I was driving to a friend’s house today. Which I’m going to add to my “things to remember” doc immediately after this so I don’t forget. Something about the sunroof being open, it being a hot, sweaty evening and the right song at the right time brought it all together for me. Thanks, brain, for being so tuned in.

Since my experience with this last book went so well, I’m considering looking for one on how to revise or edit a novel from the first draft. Having never done such a thing before, I’m at a complete loss as to how to go about it. When I re-read a chapter every so often, I make little changes here and there, but that doesn’t feel like a proper revision.

Oh, and before I forget,

***drumroll***

Isn’t that something to see? And there’s still so much cool stuff coming up.